- Size - 40 x 90 (cm)
- Triptych
- Material - Oil on canvas
- Year of creation - 2024
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This two-panel lacquer painting is simply an exploration of how flowing water can strip away layers of material.One version remains unpolished, resplendent in gold.The other version is strongly polished, as if it were the ruins of history.
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Breaking King Duy Tân and Empress Nam Phương into tiny pixels symbolizes historical fragmentation. Most stories about them are incomplete, lacking accurate information. Their images in collective memory, books, legends, and films are never whole, like scattered pixels. Society continually reconstructs these images.
